As I begin my visits to the farms, I’m reminded how much I learn each time I walk the land. The first thing I notice is the green — so many shades of it. Just a few weeks ago, the Eastern Plains were dressed in browns and grays. Now, the landscape is alive with color. Walking the land slows me down. It sharpens my attention. I notice the bees, the earthworms, the first purple flowers, and the fresh, soft green of the cheatgrass. Lately, I’ve been reading The Serviceberry by Robin Wall Kimmerer. She introduces a powerful idea: an economy of reciprocity — where gratitude is the first response, and the second is asking, "What can I give back?" This idea sits at the heart of my work. Through this series of art, I hope to remind us all that the land gives us what we need, but we are not just consumers of her gifts — we are partners. It’s our responsibility to be generous when we are given much, and mindful when we take. I've been given much through this series, and I’m thinking deeply about how to give back. How I Create Pigments from Plants Many people have asked how I make pigment from plants. This season, I’m focusing on deepening my connection to the Colorado Plains — paying close attention to the real experience of working with the land, both the challenges and the rewards. When I find plants or materials that can produce pigment, I harvest with reciprocity in mind:
I then apply these inks directly to panels or paper, often layering them with other markings or encaustic wax to create the final pieces. Image: Left, abandoned tractor on my Great-grandfather's Land, Center, Found Painting, Right, My mom with Ty Sisson, a distant relative who now owns the land.
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Melody EppersonA profoundly curious artist exploring what it means to be human through art and life. Archives
April 2025
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